Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Arkhip Ivanovich Kuindzhi 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
23230		Birch Grove (nn02)	1879 Oil on canvas (dimensions unknown) state Russian Museum,Leningrad
35267		Cloud	cn40 1900-1905 Oil painting 140x194cm
35252		Dnieper-s Moonlight	cn40 1880 Oil painting 105x144cm
35245		Dniester	cn40 1901
35264		Elbrus	cn40 1898-1908 Oil painting 36x62cm
35260		Elbrus-Moonlight	cn40 1890-1895 Oil painting 36.5x55.4cm
35255		Eventide	cn40 1885-1890 Oil painting 29x57.5cm
35256		Eventide	cn40 1890-1895 Oil painting 38.7x55.5cm
35241		Landscape	cn40 1874
35244		Landscape	cn40 1885-1890 Oil painting 39x53cm
35246		Landscape	cn40 182 Oil painting 70x110cm
35247		Landscape	cn40 1873 Oil painting 76x130cm
35248		Landscape	cn40 1873 Oil painting 79.5x62.5cm
35258		Landscape	cn40 1890-1895 Oil paiting 38.8x52.9cm
35265		Landscape	cn40 1898-1908 Oil painting 39x53.5cm
35268		Landscape	cn40 1898-1908 Oil painting 40x54cm
35269		Landscape	cn40 1905-1908 Oil painting 107x169cm
35259		Noon-the drove on the campo	cn40 1890-1895 Oil painting 42x51cm
35249		North	cn40 1879 Oil painting 132x103cm
35263		Oak	cn40 1900-1905 Oil painting 63x164cm
77787		Portrat der Vittoria Marini	Deutsch: um 1850 English: c. 1850 Medium Oil on canvas Dimensions Deutsch: 63,5 ?? 47,1 cm cyf
35266		Rainbown	cn40 1900-1905 Oil painting 110x171cm
35250		Silver Birch	cn40 1879 Oil painting 91x181cm
35257		Sunset	cn40 1890-1895 Oil painting 40.5x53.5cm
35243		The Boat on the sea	cn40 1875
35251		The empress of rain	cn40 1879 Oil painting 102x159cm
35253		The evening of Ukraine	cn40 1878-1880 Oil painting 81x163cm
35261		The far-away place of forest	cn40 1890-1895 Oil painting 30.5x25cm
35254		The Lake in the forest-Cloud	cn40 1890 Oil painting 38.4x55.5cm
35242		The night of Ukraine	cn40 1876
35262		The sun in the park	cn40 1898-1908

Arkhip Ivanovich Kuindzhi

Russian Painter, 1842-1910 Ukrainian painter, active in Russia. Initially self-taught as an artist, he twice failed the St Petersburg Academy's entrance examination, despite coaching by the marine painter Ivan Aivazovsky. In 1868, however, he was accepted as an external student. He persevered against conservative prejudice and poverty throughout his early career, supplementing his income by retouching photographs. In his early landscape paintings he often sought to capture seasonal moods, as in Autumn Mud (1872; St Petersburg, Rus. Mus.). A more human focus, however, is noticeable after 1874, when he joined the travelling exhibitions society the WANDERERS: the village houses dominate the landscape setting in Evening in Ukraine (1878; St Petersburg, Rus. Mus.). Kuindzhi's principal interest, however, was in lighting, and he obtained striking effects by using vivid colours, chiaroscuro contrasts and simple but cleverly conceived designs. Spectacular paintings, such as the Birch Grove (1879; Moscow, Tret'yakov Gal.), greatly moved contemporary viewers. Through years of experimentation, Kuindzhi developed a highly original technique, which he applied to an increasingly typical, at times almost visionary, treatment of subjects such as snow-covered mountains and moonlight (e.g. Elbnis: Moonlit Night, 1890-95; Moscow, Tret'yakov Gal.). Due to imperfections in the paints he used, many of his canvases soon darkened.

All the Alma Tadema's Oil Paintings

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